07/06/2020

To decorate the police daily with real people show, this program also needs to guard the sense of proportion

To decorate the police daily with real people show, this program also needs to guard the sense of proportion
Following the popularity of last year’s police documentary “Patrol Scene Recording 2018” (hereinafter referred to as “Patrol Scene”), another file to replace the similar reality show “Guardian Liberation West” caused a heated discussion, but the effect, Where there is always a difference, which reflects the difference in program positioning and performance.There are too many similarities between the two programs, both of which are based on a city’s police system, which is responsible for patrolling, dispatching, and interrogating with grassroots police.By narrating the daily stories of the city police, popularizing the law, and showing the image of the people’s police, a group of people who are closely related to the lives of ordinary people but have little contact.”Patrol Scene” was filmed in Shanghai’s preliminary super-megalopolis, and “Guardian Liberation West” chose Changsha, Hunan.Differences in cities determine a slight difference in program style, but what really makes the former better is the program positioning and performance.It is not difficult to find out carefully that “Guardian Liberation West” is closer to an observation reality show. Although it has a recording and recording technique, there are some performance elements in the program itself.Essentially, it first introduces the long shot of the main police characters of the Pozi Street Police Station, which is relatively a deliberate plot logic.In addition, the program is relatively easy and lively in the choice of screen language and story. It uses too many post-entertainment techniques of reality shows, such as adding playful subtitles on the screen.In the stills of “Watching the Liberation West”, there are many subtitles full of variety.Under the rankings, “Patrol Scene” is closer to traditional Chinese-style recordings, with a higher documentary component.First of all, the main narration assumes most of the narrative function, while the details of the daily work of the police are presented in selected parts, supplemented by supplementary interviews with the police.In post-production, the picture is not too entertaining.Compared with the traditional way, this is obviously more serious, but it has not shortened the wonderfulness and visibility of the program itself.Although it is competing with the same problems of daily shooting of the police, the two programs have an obvious difference in orientation, so the shooting methods, post-production and narrative methods are also different.In fact, there is no obvious difference in story selection and character selection between the two programs. What really makes the difference is the story itself and the method of telling the story.”Guarding the Liberation West” uses the packaging technique of reorganizing reality shows, but it is not a plus in this replacement.Whether it is a fictional film or television work or a relatively real variety show, the core of deciding whether a program looks good or not is the quality of the story itself.Later packaging production can also be consistent based on serving the story.Obviously, most of the documentary police stories in “Guardian Liberation West” are not suitable for such entertainment operations. The bells and whistles of subtitled sound effects and the easy variety show packaging make the show itself untimely and a little embarrassing.For example, the late packaging looks like the dress we chose. Although trendy sportswear is fashionable, it is not suitable for wearing serious work meetings.Under the ranking, “Patrol Scene” attracted a lot.Although the program crew squatted at the 36 grassroots police stations in Shanghai day and night, and worked with the patrol police in three shifts in the morning, middle and evening, and filmed 748 patrol cases, followed by nearly 200 front-line patrol police, but the program was very restrained in the later editing, The sense of intervention in the narrative screen shot is relatively weak.The parts that need further interpretation and experts will be completed through follow-up interviews by the police, and the law and order will be completed in the form of “tips”.Stills of “Patrol Scene 2018”, the police spot-checked the ID card in the subway.For any show, telling good stories is the core of winning.The key to telling a good story is to understand the story and make effective use of the most suitable shooting techniques and packaging skills to accurately grasp the sense of proportion of the program, thereby effectively reducing “trouble”.The trend is not the same as advanced and optimal. The pan-entertainment expression of documentary programs has shortened the roughness and tenderness of the reality itself and straightforward frankness.□ Ji Ruze (Entertainment Reviewer) Editor of Sauna Night Net Wu Longzhen Proofreading Chen Diyan

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